Have you considered buying a new piece of equipment for your editing suite? If you haven’t made so much progress after the thought, we understand! It takes a reasonably long research process to make up your mind about the best thing to buy with the hard-earned cash that will give you the best value for your buck.
But did you ever think about getting some new speakers? Well, if you did, then it means one thing: your goal is to step up your video editing game. In other words, you want to be able to mix your sound accurately, and the end product should be as good as it can be to the ear—which is crucial to video editing as a whole.
But, with a ton of options on the market, the search process gets even more stringent to find the best speakers for video editing. Not to worry, in this article, you’ll learn about the factors you should consider before buying the best speakers for video editing and a few options you can get immediately.
After we took out time to check out a good number of speakers on the market, we came up with three that met our standards for video editing in terms of the size, frequency range, and listening configuration.
- Are you in need of more bass, and you have enough space to welcome a device? The Mackie MR mk3 is a good option.
- The JBL Professional 305P is perfect for you if you want a speaker for tasks that involve accurate sounds with well-balanced inputs.
- If you’re after a speaker that will offer you audio editing accuracy, the Yamaha Hs8 is a good match.
Who Should Get This?
Video editing has a lot to do with the arrangement and manipulation of video shots. No doubt, the whole process could be tedious, especially for a professional that has a goal of staying on top of his game.
Technology has come to ease the whole process of video editing. And one of those things technology has introduced is speakers.
The speakers come in handy when you want your mixing to be accurate—which in turn helps in translating the right message of your content to the audience. You may not need these speakers if you aren’t into professional video editing.
Best Speakers for Video Editing: What to Consider in 2020?
The size of speakers you get should depend solely on your budget and space you have to accommodate the device. The speakers range in different sizes, and each of them suits various purposes. You should consider speakers labeled around a 5-inch, 3-inch, or 7/8-inch driver—which refers to the size of the central speaker cone.
If your edit suite is quite small, you have to go for monitors that measure about 3-inches—so, you don’t have to worry your head about having a bit of space after installing the equipment.
On the other hand, if you have enough space to play around with and you want a sufficient level of bass, the 7-inch speakers will do a good job, and you may end up not needing a subwoofer—which is advantageous over the smaller speakers.
Passive vs. Active
Active here refers to having an amplifier located within the speaker enclosure. This particular feature matches the characteristics of a speaker, and it requires more power.
While the passive doesn’t need any plugging into the mains—the only thing that it needs is a separate amp. The option that you go for should depend on your priority and budget.
The listening configuration of a speaker has to do with the far, mid, or near field. If you go for a speaker that optimizes for near-field, it means that you’ll enjoy a close listening distance. The far-field optimization works well for carrying sound accurately over a greater distance.
If you have a small editing suite, you may end up with a relatively small speaker with a compact design. With this kind of speaker, you should expect a near-field configuration—which is suitable for a lot of studio applications. They allow you to hear the sounds coming directly from the speakers compared to the more prominent speakers that reflect sound off the ceiling and walls.
The frequency response or range of a speaker refers to the frequencies that the speaker can reproduce accurately. If you use a range that’s higher or lower than the frequency of your speakers, you may end up with an inaudible or distorted sound.
Typically, the frequency ranges of an average human ear are between 20Hz to 20KHz—so, the best thing is to opt for speakers that can reproduce within this range to help you make the most accurate mixes.
Best Speakers for Video Editing: Our Picks for 2020
If you’re familiar with the Mackie brand, then you should know that the MR6 mk3 model is a successor of the MR5s. This speaker is ideal if you’re thirsty for more bass. The MR6 is more significant than the MR5s—so you should expect a speaker that would take up more space.
The MR6 may not be the best option for you if you have a small editing suite with limited space.
The speakers are quite affordable—but, it doesn’t fall short of quality. The device does an excellent job of multimedia applications, monitoring, and mixing. The speaker comes with an unmatched openness and sound clarity because it comes with an improved waveguide.
The device also has terrific features that boost your listening experience as a whole—so, you can rest assured that your sound will come out perfectly fine.
The sound quality of the speakers is excellent, thanks to its drivers that have optimized performance and matched amps.
One feature that stands out with the MR6 is the fact that it’s quite easy to connect it to any audio source—from laptops to phones to 4k monitors. All this is possible with the speakers because it has flexible inputs. It also allows you to customize the frequency controls to suit your needs in the studio. Plus, it has an impressive design that will blend perfectly in your studio regardless of where you put them.
What We Like:
- It’s affordable
- Good sound quality
- Fantastic performance
- Sturdy build
What We Don’t Like:
- It may require a little tweaking depending on location and room size
The JBL Professional 305P is a fantastic model you’ll love to have in your editing suite because the speakers are for tasks that revolve around accurate sounds. The model comes with a one-inch tweeter dome alongside a five-inch woofer that is driven by 41 watts.
This speaker also has some advanced features that will enhance your listening experience. A lot of sound engineers look up to this model because it has flexible connectivity with adjustable control volumes and well-balanced inputs.
The speaker also gives you the pleasure of enjoying an excellent bass and a reduced harmonic distortion—because it comes with the improved HF and LF transducers.
With this model, it doesn’t matter where you place it because the equalizer works perfectly to adjust the frequency response to low. You can jump at this model right now if your priority is to enjoy detailed sound while you work on editing your video.
What We Like:
- It has an excellent bass output
- It has a large soundstage
- It provides an even spectrum for sound design and post-audio mixing
- Good tuning options
What We Don’t Like:
- It has a slight hiss
3. Yamaha Hs8
The name of this model should strike a chord. After all, the company has been there all through the years producing magnificent sight in studio and editing suites. The Yamaha HS8 model, in particular, is a predecessor to the legendary monitor speakers that have been able to set the standard for precision in the industry.
You can practically rely on this sturdy speaker for audio editing accuracy. Plus, the only thing you can get with this model is nothing short of sound quality that stays true to the original.
The device comes with a one-inch dome tweeter and an eight-inch cone woofer—alongside a frequency response of 38KHz to 30KHz. The Yamaha HS8 has a power consumption of about 60 watts—which is good because it’s usually available in most homes. The model also comes with a high trim and room response controls.
The controls are responsible for allowing the speaker to adjust to the acoustic surface of whatever room you put the device—regardless of the shape or size.
With this model, you also get an XLR and TRS phone jack input that allows you to play videos from your phone. The HS8 comes with screws and mounting points—so you can choose to mount the speaker in your editing room.
One feature of the HS8 that stands out is the fact that it’s built to remove any unwanted sound as it boosts the sound reproduction accuracy.
What We Like:
- Minimalist and attractive design
- It’s close to totally flat frequency
- Top-quality build
- It has good sound quality
What We Don’t Like:
- It tends to pick up interference from a device that is too close
Tips on How to Sharpen Your Video Editing Perspective
- Watch your videos with others since it’s the fastest way to see your project through another person’s eyes.
- Switch off the sound of your video and try watching the images.
- Then, do the inverse—which is turning off the images altogether and listening to your edits.
- Rebuild your perspective by leaving your project for about 24 hours—so you can see it with fresh eyes.
As a video editor, you have to factor the hours that you spend on editing your audio. It also means that your result should be as clear and crisp as possible. And the only way you can achieve that is with the right studio arsenal.
Did the article help your buying decision? What do you think about the recommendations? Have you used any before? Give us a breakdown of what you think in the comments section.
Chris is a lifelong tech enthusiast with a broad range of interests including coding, data analysis, traveling, and more. He used to work as a software programmer immersing himself in the world of codes, now he finds it more interesting talking to real people.